She Treads Softly: The Train from Platform 2

Monday, January 6, 2025

The Train from Platform 2

The Train from Platform 2 by Stephanie Steel
1/17/25; 320 pages
HarperCollins

The Train from Platform 2 by Stephanie Steel is a highly recommended locked-room mystery set in London on an incapacitated underground tube train.

Former Detective Inspector Jessica (Jess) Hirsch is stuck on the London Underground train after the power goes out along with the lights leaving the train incapacitated and in darkness. Jess takes charge and goes to see what is happening with the driver. It is then she finds him dead, stabbed, and the wires cut in the cabin. The car behind them is empty of passengers, so Jess knows that one of the people she's with in their car is a killer and her investigative experience kicks in. Stuck with her are teenagers Chloe and Liam, tough Carling drinker Scott, exhausted business man Saul, anxious red-head Amelia , uni-student protestor Isa, and American influencer Jenna.

This is a classic, deliberate locked-room mystery with a small cast of characters and almost everyone of them is a suspect to some degree or another right up to the end. Don't expect a fast-paced thriller, but do expect the tension to rise gradually as they all know one of them is a killer. When the emergency lights go out and they are relying on cell phone lights, for those who still have power, the atmosphere closes in and becomes more claustrophobic.

Jess is a great character and her investigative instincts are strong. As Jess questions her fellow passengers, she can tell that several are lying or holding something back. The narrative unfolds through the point-of-view of all the characters, with the exception of Liam.

The Train from Platform 2 is a well-plotted, well executed locked room mystery. Thanks to HarperCollins for providing me with an advance reader's copy via NetGalley. My review is voluntary and expresses my honest opinion.

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John Updike's six rules for reviewing:

1. Try to understand what the author wished to do, and do not blame him for not achieving what he did not attempt.

2. Give him enough direct quotation--at least one extended passage--of the book's prose so the review's reader can form his own impression, can get his own taste.

3. Confirm your description of the book with quotation from the book, if only phrase-long, rather than proceeding by fuzzy precis.

4. Go easy on plot summary, and do not give away the ending.

5. If the book is judged deficient, cite a successful example along the same lines, from the author's oeuvre or elsewhere. Try to understand the failure. Sure it's his and not yours?

To these concrete five might be added a vaguer sixth, having to do with maintaining a chemical purity in the reaction between product and appraiser.....Review the book, not the reputation.... Better to praise and share than blame and ban. The communion between reviewer and his public is based upon the presumption of certain possible joys in reading, and all our discriminations should curve toward that end.