The Odds by Stewart O'Nan
Penguin Group, 2012
Penguin Group, 2012
Hardcover, 192
pages
ISBN-13:
9780670023165http://stewart-onan.com/
Description:
Stewart O'Nan's thirteenth novel is another wildly original, bittersweet gem like his celebrated Last Night at the Lobster. Valentine's weekend, Art and Marion Fowler flee their Cleveland suburb for Niagara Falls, desperate to recoup their losses. Jobless, with their home approaching foreclosure and their marriage on the brink of collapse, Art and Marion liquidate their savings account and book a bridal suite at the Falls' ritziest casino for a second honeymoon. While they sightsee like tourists during the day, at night they risk it all at the roulette wheel to fix their finances-and save their marriage. A tender yet honest exploration of faith, forgiveness and last chances, The Odds is a reminder that love, like life, is always a gamble.
My Thoughts:
Unabashedly, I'm declaring my personal Stewart O'Nan fan club is back in session.
In The Odds Stewart O'Nan explores a marriage in crisis. Art and Marion Fowler have lost their jobs, are heading for bankruptcy, about to lose their home, and are on the brink of divorce. In a last ditch effort to salvage something, Art and Marion withdrawal all their remaining savings and book a bridal suite at a Niagara Falls casino. They are telling others it is a second honeymoon. They actually plan to gamble their money into enough cash to save them.
This is a bittersweet novel. Art and Marion are
also taking all sorts of emotional baggage with them from their almost thirty
years of marriage. It soon becomes clear that Art is a hopeful optimist, sure
that their marriage and life can be salvaged. Marion is more pessimistic, and
trying to simply humor Art for one more weekend before she begins her single
life. The desperation of their plan, combined with a thread of optimism,
underpins their weekend.
Setting The Odds in Niagara Falls was
really a brilliant move. The tourist trap feeling combined with the romance and
grandeur of the falls plays off Art and Marion's personal emotional drama. Will
this gamble save their marriage, their lives? What are their odds?
The title of the book, The Odds, is
emphasized with each new chapter of the book giving the odds that pertains to
some event in the chapter. For example, the opening is: "Odds of a U.S. tourist
visiting Niagara Falls: 1 in 95." Others
include: "Odds of a married couple reaching their 25th anniversary: 1 in 6";
"Odds of seeing a shooting star: 1 in 5,800"; "Odds of a 53-year-old woman being
a grandmother: 1 in 3."
While the novel is short and the setting and action are deceptively simple,
The Odds is a complex character study. The novel works based on the
strength of O'Nan's writing. This is an honest, intimate, emotional novel. These
are real people with all the anxieties, desires, faults, and pressures that many
people face. They have both made mistakes. Through O'Nan we are privy to all
of Art and Marion's thoughts and emotions. O'Nan is a master at character
studies.
Very Highly Recommended - one of the best
Quotes:
The final week of their marriage, hounded by insolvency, indecision, and,
stupidly, half secretly, in the never-distant past ruled by memory, infidelity,
Art and Marion Fowler fled the country. North, to Canada. "Like the slaves,"
Marion told her sister Celia. They would spend their last days and nights as man
and wife as they'd spent the first, nearly thirty years ago, in Niagara Falls,
as if, across the border, by that fabled and overwrought cauldron of new
beginnings, away from any domestic, everyday claims, they might find each other
again. Or at least Art hoped so. Marion was just hoping to endure it with some
grace and get back home so she could start dealing with the paperwork required
to become, for the first time in her life, a single-filing taxpayer.
opening
From the beginning Art had conceived of the trip as a secret mission, a
fantastic last-ditch escape from the snares of their real life, and while Marion
refused to believe in the possibility, as at first she refused to believe the
severity of their situation, she also knew they'd run out of options. pg.
3
While Art saw the divorce as a legal formality, a convenient shelter for
whatever assets they might have left, from the beginning she'd taken the idea
seriously, weighing her options and responsibilities - plumbing, finally, her
heart - trying, unsuccessfully, to keep the ghost of Wendy Daigle out of the
equation. pg. 7
Sitting there with the bag as she flipped the pages, he allowed himself to
think of all the problems it would have solved if the bus had rolled and he
alone had been killed. How clean it would be. pg. 10
Her entire life had not been a ruin. There were seasons she'd keep, years
with the children, days and hours with
Art and, yes, despite the miserable end, with Karen. pg. 13
Art and, yes, despite the miserable end, with Karen. pg. 13
Did he understand how hard it was to believe a word he said when he lied so
easily? pg. 14
Equally insane was the notion that any young woman would be interested in a
broke fifty-two-year-old with thinning hair, but that was never addressed. No,
the real answer, the real reason the question tortured him, was that without
Marion he wouldn't know what to do or even who he was. He could send his laundry
out, but he would belong to that legion of aging, unloved men buying frozen
dinners and six-packs at the grocery store, or worse, working there, bagging
their sad purchases and wishing them a good evening. pg. 23
"Are you still going to have bad thoughts when we're divorced?"
"Why wouldn't I?"
"I thought it might work like bankruptcy, everything forgiven."
"Sorry, some debts you have to pay."
"It was worth a try," he said.
"Not really." pg. 29
That terrible summer she'd wished on a falling star for him to come back to
her, and he had, though it hadn't made either of them happy.Maybe this wasn't
any different, and yet she was ready, if he would come to her, unbidden, to try
again. pg. 46
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