Monday, June 1, 2009

The Guernsey Literary and Potato Peel Pie Society


The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer, Annie Barrows
Random House Publishing, 2008
Hardcover - 277 pages
historical fiction
ISBN-13: 9780385341004
Very Highly Recommended

Synopsis from the cover:
January 1946: London is emerging from the shadow of the Second World War, and writer Juliet Ashton is looking for her next book subject. Who could imagine that she would find it in a letter from a man she’s never met, a native of Guernsey, the British island once occupied by the Nazis. He'd come across her name on the flyleaf of a secondhand volume by Charles Lamb….

As Juliet and her new correspondent exchange letters, Juliet is drawn into the world of this man and his friends, all members of the Guernsey Literary and Potato Peel Pie Society, a unique book club formed....as a spur-of-the-moment way: as an alibi to protect its members from arrest by the Germans.

Juliet begins a remarkable correspondence with the society’s members, learning about their island, their taste in books, and the impact the recent German occupation has had on their lives. Captivated by their stories, she sets sail for Guernsey, and what she finds will change her forever.

Written with warmth and humor as a series of letters, this novel is a celebration of the written word in all its guises, and of finding connection in the most surprising ways.
My thoughts:

This was really a rather delightful little book. Regular readers can now do the "I laugh at and taunt you dance" while chanting "I thought you didn't enjoy romance novels or historical fiction." Honestly, normally I don't, but I did enjoy The Guernsey Literary and Potato Peel Pie Society. Perhaps this is due to the story being told through a series of letters from various characters. Although an epistolary novel isn't a new technique (Mark Dunn's more imaginative Ella Minnow Pea comes to mind) it was used effectively here. Even while the letters reveal tragic stories of life under Nazi occupation, there remains a hopeful optimism that captures the imagination. I wanted to know what the next letter would say, what stories would be told. This isn't a deep, heavy novel, but it was never meant to be. I think it was highly effective at telling what could have been a dark story in a light, but touching, way.
Very Highly Recommended

Quotes (including 3 complete letters):

8th January, 1946
Mr. Sidney Stark, Publisher
Stephens & Stark Ltd.
21 St. James's Place
London S.W.1
England

Dear Sidney,

Susan Scott is a wonder. We sold over forty copies of the book, which was very pleasant, but much more thrilling from my standpoint was the food. Susan managed to procure ration coupons for icing sugar and real eggs for the meringue. If all her literary luncheons are going to achieve these heights, I won't mind touring about the country. Do you suppose that a lavish bonus could spur her on to butter? Let's try it—you may deduct the money from my royalties.

Now for my grim news. You asked me how work on my new book is progressing. Sidney, it isn't.

English Foibles seemed so promising at first. After all, one should be able to write reams about the Society to Protest the Glorification of the English Bunny. I unearthed a photograph of the Vermin Exterminators' Trade Union, marching down an Oxford street with placards screaming "Down with Beatrix Potter!" But what is there to write about after a caption? Nothing, that's what.

I no longer want to write this book—my head and my heart just aren't in it. Dear as Izzy Bickerstaff is—and was—to me, I don't want to write anything else under that name. I don't want to be considered a light-hearted journalist anymore. I do acknowledge that making readers laugh—or at least chuckle—during the war was no mean feat, but I don't want to do it anymore. I can't seem to dredge up any sense of proportion or balance these days, and God knows one cannot write humor without them.

In the meantime, I am very happy Stephens & Stark is making money on Izzy Bickerstaff Goes to War. It relieves my conscience over the debacle of my Anne Bronte biography.

My thanks for everything and love,
Juliet

P.S. I am reading the collected correspondence of Mrs. Montagu. Do you know what that dismal woman wrote to Jane Carlyle? "My dear little Jane, everybody is born with a vocation, and yours is to write charming little notes." I hope Jane spat on her. (pages 3-4)

From Sidney to Juliet
10th January, 1946
Miss Juliet Ashton
23 Glebe Place
Chelsea
London S.W. 3

Dear Juliet:

Congratulations! Susan Scott said you took to the audience at the luncheon like a drunkard to rum—and they to you—so please stop worrying about your tour next week. I haven't a doubt of your success. Having witnessed your electrifying performance of "The Shepherd Boy Sings in the Valley of Humiliation" eighteen years ago, I know you will have every listener coiled around your little finger within moments. A hint: perhaps in this case, you should refrain from throwing the book at the audience when you finish.

Susan is looking forward to ushering you through bookshops from Bath to Yorkshire. And of course, Sophie is agitating for an extension of the tour into Scotland. I've told her in my most infuriating older-brother manner that It Remains To Be Seen. She misses you terribly, I know, but Stephens & Stark must be impervious to such considerations.

I've just received Izzy's sales figures from London and the Home Counties—they are excellent. Again, congratulations!

Don't fret about English Foibles; better that your enthusiasm died now than after six months spent writing about bunnies. The crass commercial possibilities of the idea were attractive, but I agree that the topic would soon grow horribly fey. Another subject—one you'll like—will occur to you.
Dinner one evening before you go? Say when.

Love,
Sidney

P.S. You write charming little notes. (pages 4-5)

From Dawsey Adams, Guernsey, Channel Islands, to Juliet
12th January, 1946
Miss Juliet Ashton
81 Oakley Street
Chelsea
London S.W. 3

Dear Miss Ashton,

My name is Dawsey Adams, and I live on my farm in St. Martin's Parish on Guernsey. I know of you because I have an old book that once belonged to you—the Selected Essays of Elia, by an author whose name in real life was Charles Lamb. Your name and address were written inside the front cover.

I will speak plain—I love Charles Lamb. My own book says Selected, so I wondered if that meant he had written other things to choose from? These are the pieces I want to read, and though the Germans are gone now, there aren't any bookshops left on Guernsey.

I want to ask a kindness of you. Could you send me the name and address of a bookshop in London? I would like to order more of Charles Lamb's writings by post. I would also like to ask if anyone has ever written his life story, and if they have, could a copy be found for me? For all his bright and turning mind, I think Mr. Lamb must have had a great sadness in his life.

Charles Lamb made me laugh during the German Occupation, especially when he wrote about the roast pig. The Guernsey Literary and Potato Peel Pie Society came into being because of a roast pig we had to keep secret from the German soldiers, so I feel a kinship to Mr. Lamb.

I am sorry to bother you, but I would be sorrier still not to know about him, as his writings have made me his friend.

Hoping not to trouble you,
Dawsey Adams

P.S. My friend Mrs. Maugery bought a pamphlet that once belonged to you, too. It is called Was There a Burning Bush? A Defense of Moses and the Ten Commandments. She liked your margin note, "Word of God or crowd control???" Did you ever decide which? (pages 9-10)

I wonder how the book got to Guernsey? Perhaps there is some secret sort of homing instinct in books that brings them to their perfect readers. How delightful if that were true. page 10

I know that I am fortunate to have any place at all to live in London, but I much prefer whining to counting my blessings. page 12

No one in their right mind would take up clerking in a bookstore for the salary, and no one in his right mind would want to own one - the margin of profit is too small. So, it has to be a love of readers and reading that makes them do it - along with first dibs on the new books. page 15

Reading good books ruins you for enjoying bad books. page 53

3 comments:

raidergirl3 said...

I think what makes a good book good, a really good book, is the writing and the plot and the characters and then the genre doesn't matter. I've done that with books in genres I'm not a fan of, like sci-fi, or romance, or fantasy. If the book is really good, it will appeal to people on a level that transcends its genre.

I really liked this book too. I'm a fan of epistolary books anyway.

Lori L said...

You're right - the good writing transcended my general dislike of the genre, which is another recommendation. I'm still a little surprised at how much I enjoyed it, LOL!

Anna said...

It was refreshing to find a WWII novel that didn't sugarcoat the horrors but was a really light read.

I hope it's okay that I linked to your review on War Through the Generations.

--Anna
Diary of an Eccentric